Jónsi: Go

Jón "Jónsi" Þór Birgisson might be best known as "the Sigur Rós guy that sings words I can't understand and plays his guitar with a bow."  Well, that's not incorrect, but Jónsi has definitely made a name for himself with his solo/debut album, Go.

Chiddy Bang: The Preview

Chidera "Chiddy" Anamege and Noah "Xaphoon Jones" Beresin were both attending Philadelphia's Drexel University.  They got together and made a mixtape of a few songs that featured Chiddy rhyming over existing songs that Xaphoon put together with some fresh beats.  The story might have ended there just ten years ago, but in true Internet Age fashion, they put the songs up on a Myspace (remember those AwEsOmE FlAsHiNg BaCkGrOuNdS?), got discovered by a blog, who then put out their original mixtape (and their follow-up mixtape), and somewhere in there the kids from Drexel scored a record deal from EMI/Virgin, eventually putting out The Preview.  Niiice.

Phosphorescent: Here's to Taking It Easy

Phosphorescent, one of the many, many bands to emerge from Athens, Georgia, didn't register on my radar until last year, when they put out an album of Willie Nelson covers.  I'm not particularly a fan of the bearded, bandaned, pot-smoking Texan, so Phosphoresent's 2010 effort, Here's to Taking It Easy, wasn't one of the albums I marked on my calendar before its release in May (possibly the year's best month, musically speaking, with one - two - three - four - five - six -- and now seven -- good albums)... but it should have been.

Local Natives: Gorilla Manor

First released in the U.K. in late 2009, Gorilla Manor appeared on [digital] shelves in the U.S. in early 2010.  Local Natives, from Los Angeles, benefited from the British buzz and hit the ground running in February.

Blitzen Trapper: Destroyer of the Void

The posse from Portland produced one of 2008's best albums, so I was amped for Destroyer of the Void, released back at the start of June.  At first listen, I was disappointed with Void, but I continued to spin the record and it grew on me.

Perhaps what threw me off my [listening] game was the album's title track -- its opening track.  In a Plants-and-Animals vein, the song contains three (or four) separate song melded into one:

After getting over the fact that it struck me as a non-Blitzen-Trapper-type song, I was able to appreciate it.  Overall, Void strikes a balance between the helter-skelter compositions of Wild Mountain Nation and -- a bit to my chagrin -- the head-bangable tunes of Furr.