Blitzen Trapper: Destroyer of the Void

The posse from Portland produced one of 2008's best albums, so I was amped for Destroyer of the Void, released back at the start of June.  At first listen, I was disappointed with Void, but I continued to spin the record and it grew on me.

Perhaps what threw me off my [listening] game was the album's title track -- its opening track.  In a Plants-and-Animals vein, the song contains three (or four) separate song melded into one:

After getting over the fact that it struck me as a non-Blitzen-Trapper-type song, I was able to appreciate it.  Overall, Void strikes a balance between the helter-skelter compositions of Wild Mountain Nation and -- a bit to my chagrin -- the head-bangable tunes of Furr.

Ratatat: LP4

I first came across Ratatat in a commercial for -- ready for this? -- Hummer.  Back in '04, I was sitting on my couch in college and this commercial came on and my roommate and I Googled the information before the spot ended.

(Parenthetical footnote: Hummer actually had a killer commercial campaign back then, featuring this awesome spot -- set to "Swamp" by Midwest Product -- and another ad that featured Album Leaf.  When indie bands get accused of "selling out" by putting their song in a commercial, what they are actually doing is getting their music to the widest possible audience, getting paid, and making more fans!)

Tokyo Police Club: Champ

Once dubbed "the Canadian Strokes," the gang from Ontario probably had too much pressure put on them after they recorded A Lesson in Crime EP when they were teenagers.  For some reason, their debut LP, Elephant Shell, seemed to fall relatively flat.  Undeterred, the Canucks left Saddle Creek Records (free sampler) for the greener pastures of Mom + Pop, and released Champ back in May.

Sleigh Bells: Treats

Sleigh Bells was perhaps the most hyped indie band of 2010 (or at least they had the most pre-release internet buzz) after they rocked the CMJ fest in 2009 and were signed by M.I.A.  The duo in Sleigh Bells, Alexis Krauss and Derek Miller, has one of the most disparate sonic backgrounds of any band out there.  Krauss was in Rubyblue, all-girl pop group, and Miller was in a hardcore band called Poison the Well.  While waiting her table in 2008, Miller told Krauss he played guitar and was looking for a singer.  Krauss' mother, also at the table, offered her daughter's vocal services, and Sleigh Bells formed.

The Black Keys: Brothers

I've been on The Black Keys bandwagon since 2003 or 2004, and I feel confident saying that the boys from Akron have just put out their best or second-best album.   The name of this album is Brothers (brought to you by the Department of Redundancy Department).

In a departure from Attack and Release, TBK only let Danger Mouse produce one track ("Tighten Up").  It's a great track -- and you can hear Danger Mouse's influences after the bridge -- but TBK retreated a bit to their roots (compared to A&R), rather appropriately so considering they recorded some of the songs at legendary Muscle Shoals studio, while also keeping some of the keyboard influences.  What emerges is a fantastic album -- not only their most critically acclaimed album, but also their highest selling album.  After a bit of a lull (2006's Magic Potion was the weakest link in their discography), the boys are back in town.