it works. That may sound like a contradiction; weirdness doesn't necessitate neatness, and I'm not advocating for a tidy sound that can be packaged away in a little box, but Yeasayer has a tendency to let their freak flag fly. Maybe that's the only way to do it; go big or go home, as they say. Perhaps part of Yeasayer's weirdness is to let it fully take control -- no boundaries -- but for my ears, the weirdness works best when it's contained.
Odd Blood's lead single, "Ambling Alp," is a good example of this combination of weirdness and goodness. First, the lyrics are fantastic, referencing 1930s boxing great Max Schmelling (whom I read about in a grad seminar a few years back), lead vocalist Chris Keating goes all falsetto, the beats almost have a bow-bow-chicka-chicka-ohhh-yeahhhh feel, and the synth lets out fart-like sounds during the chorus and then saxophone lines during the bridge. Weird, but it totally works.
There are other songs, however, for which the weirdness gets a little out of control: the vocal synth thing on opening track "The Children"; the over the top Star-Wars-cantina-scene synth instrument in "Rome"; and the unnecessary sense of urgency provided by the beats and fast-paced vocals on "Mondegreen."
Yeasayer doesn't just make weird music, they also make weird music videos. Check out Kristen Bell (AKA Sarah Marshall AKA Uda Bengt) taking care of whatever this thing is in the video for "Madder Red", or stay here and watch the weirdness on top-track "Ambling Alp":
Blurb: Weird but good... but sometimes the scales tip in the balance of weird.